Father Death Blues – Allen Ginsberg
That has been. This will be.
Camera Lucida – Roland Barthes
(in sight) graduating undergrad// master’s degree (in sight)
For the upcoming WIDE-EMU Unconference, I am working with Joe Torok and Derek Mueller on an exploration of the conceptual use of Timeline JS, a timeline tool that permits/encourages the moving in time/space/place of events through the incorporation of images, video, maps, web pages, tweets, and so on. It can be constructed within a Google spreadsheet, or can be built by programming, giving it some dexterity in design/degree. We are taking an interest in the visualization of an event through a lens that moves focus from the more framed rhetorical situation to the more unframed rhetorical ecology. This shifts rhetorical perspective from kairos, the opportunity fitted to a situation, to chronos, time/situation as unfolding, and potentially to metanoia, missed opportunity fitted to a situation that is given the possibility to reposition itself in time(line) as part of the network that rhetorical ecologies make traceable.
Pedagogically, this type of viewing appeals to my interests in visualization of the otherwise un(available). Our focus shifts; works cited become networks cited, or better still worknets sited/traced; attention to detail of texts moves beyond front/center to the back, the edges, and outward (in space/place-time); close looking moves from analysis to invention. Seeing in/through time permits composition beyond snapshots or stitches of singularity.