tiny composition ontology: a heterogeneous history for WIDE-EMU 12

I am working with my colleague, Joe Torok, to take stock of composition’s objects, its materiality, in order to illuminate possibilities otherwise in the shadow of capital W Writing or out of focus to our too set gaze (blink. look again. look outward). What happens when composition is viewed as an exploded diagram? Sources as assemblages of composites? As worknets of objects both material and semiotic? Flatten our ontologies; see composition not as woods, or even trees, but roots, leaves, temperature, increases in the level of carbon dioxide in the atmosphere, excess of nitrogen in the soil that year, the growth is insect populations that fancy this tree in particular, or the rise in demand of IKEA wooden furniture. What happens when composition is produced through carpentry, juxtaposed with geography, illuminated based on its materials and not the human hand that created them? What happens when composition is a field, a scrapyard, a breathing timeline?

This is thinking of composites in and as such. This is composing as such. This will be teaching as such: heterogeneity, to compose as to assemble,

This conference presentation didn’t start as such; it began as a reading done in a class over a year ago through Anne Wysocki’s awaywithwords: On the possibilities in unavailable designs (2005) from Computers and Composition.

awaywithwords: from Notes, “Oh heck, let’s see: see almost anything by Donna Haraway or by Derrida, for starts.” Count Gunther Kress ten times . Keywords: Affordances; Available design; Image; New media; Space; Visual representation; Visual rhetoric. “unavailable designs” comes from the New London Group’s “available designs”…

…Computers and Composition online “Theory Into Practice” : “Composition as a discipline is constantly evolving, changing its teaching practices in keeping with innovations in theory and technology. Therefore, Theory into Practice strives to illuminate these evolving connections between theories, computer technologies, and pedagogical practices” (Kerri Hauman)…

…Anne Wysocki–new media studies–Geoffrey Sirc’s “Box-Logic”–small t truths–the material of the everyday–Ian Bogost “the alien everyday”–wonder in the wondering about–composites of compositon–Bruno Latour “compositionism”–seeing–tracing–worknets…

And not lastly nor leastly, scholarship through scholarship on scholarship (thinking thoughts about thoughts thinking about thinking thoughts), from Reassembling the Social (Bruno Latour) through the selection of Toward a Composition Made Whole (Jody Shipka):

“If action is limited a priori to what ‘intentional’, ‘meaningful’ humans do, it is hard to see how a hammer, a basket, a door closer, a cat, a rug, a mug, a list, or a tag could act” (71) but nonhumans play a role in shaping and determining action (Shipka 119) because they “might authorize, allow, afford, encourage, permit, suggest, influence, block, render possible, forbid, and so on” (Latour 72) certain actions and outcomes over others (Shipka 119).

These are only part of the looking, of the attention to things.

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One thought on “tiny composition ontology: a heterogeneous history for WIDE-EMU 12

  1. Pingback: Composition’s Stock: Tracing Associations for WIDE EMU « Resembling Amber

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